Our whole process can shift
we will consider our materials and their provenance
we will think about tradition, about cultural attributes, about meaning of the cloth
we will reflect
This is an optimistic way to be
we will be changed
we will appreciate the textiles around us
we will see new connections, understand new and old stories
we will see how much we have in common.
Claire Wellesley-Smith ideas
Showing posts with label velvet grid. Show all posts
Showing posts with label velvet grid. Show all posts
Wednesday, March 30, 2016
Monday, March 7, 2016
Thursday, November 19, 2015
time passes over the earth
breathing
forest
tenderness
time passes over the earth
the weight
tight with the turbulent stuff
compact
essential
substantial
delicate
watchful
strenuous
dust of the world
solitude
exile
life and earth
forest
tenderness
time passes over the earth
the weight
tight with the turbulent stuff
compact
essential
substantial
delicate
watchful
strenuous
dust of the world
solitude
exile
life and earth
Monday, November 16, 2015
stitched painting
"People don't always want to talk about real things. There are so many conversations that cannot happen. Every now and then I get to have intimate conversations. In between, I enjoy painting. Painting offers me everything and I take full advantage of it."
Lucy Mink Cavello
"All the other things in my life are hard, but painting is not."
Lucy Mink Cavello
"All the other things in my life are hard, but painting is not."
Sunday, October 4, 2015
underlying mystery
There is an underlying mystery in the structural system
of the materials we use, and the discovery and expression of
that mystery is a valid pursuit and an art form.
An Anni Albers idea
of the materials we use, and the discovery and expression of
that mystery is a valid pursuit and an art form.
An Anni Albers idea
Wednesday, September 16, 2015
touch is like dizziness
and then returns to the agent of touching.
Touch, like dizziness, is a threshold activity.
A place where subject and object are quite close to each other.
Susan Stewart
From her museum of touch essay in Material Memories: Design and Evocation
Tuesday, September 15, 2015
intuitive flip and stitch
A square of texture. Desert-hued but soft like fur is.
Why did you make it?
To explore the velvet I dyed with plants.
I wanted to use this slippery cloth in intuitive foundation work.
It is a sample of intuitive flip and stitch.
Monday, May 11, 2015
Thursday, May 7, 2015
Sunday, April 19, 2015
Thursday, April 16, 2015
the moon and the sun
In effect there are five senses and thought is the sixth.
That is the best thing that humankind possesses.
Alighiero Boetti artist
That is the best thing that humankind possesses.
Alighiero Boetti artist
Wednesday, April 15, 2015
intuition / tuition
An artist starts with chance and works towards order.
Not the other way around. (starting from order, hoping to introduce chance).
How to teach this?
Can I teach this?
answer from Ben Shahn artist
It is not a built-in. Intuition is not something with which one is born. Intuition in art actually is the result of long prolonged tuition."
Not the other way around. (starting from order, hoping to introduce chance).
How to teach this?
Can I teach this?
answer from Ben Shahn artist
It is not a built-in. Intuition is not something with which one is born. Intuition in art actually is the result of long prolonged tuition."
Tuesday, April 14, 2015
the experience
It's during the making.
It's not afterwards.
It's not because of a good review.
It has to do with ideas coming together to somehow make this greater whole where everything becomes clear.
It's quite a strange experience.
I think many artists would say there is a moment when that happens, in whatever medium they're working, and when it is a really good piece of art, it can also give that experience to the viewer.
quote from mike nelson interview in border crossings
It's not afterwards.
It's not because of a good review.
It has to do with ideas coming together to somehow make this greater whole where everything becomes clear.
It's quite a strange experience.
I think many artists would say there is a moment when that happens, in whatever medium they're working, and when it is a really good piece of art, it can also give that experience to the viewer.
quote from mike nelson interview in border crossings
Monday, April 13, 2015
You construct a thing and then you work in a sense of play.
To allow that play within a tight structure is a good thing.
That's the art.
You're being delivered an idea through a language of formal beauty.
That sort of alchemy or magic comes through the act of looking.
Through looking you get this emphatic sense.
Mike Nelson - artist
To allow that play within a tight structure is a good thing.
That's the art.
You're being delivered an idea through a language of formal beauty.
That sort of alchemy or magic comes through the act of looking.
Through looking you get this emphatic sense.
Mike Nelson - artist
Sunday, April 12, 2015
silence
I reference the horizon line.
I want to work in a poetic way
I live quite far away from art galleries
being an artist who works with cloth is solitary
But that is who I am.
I want to work in a poetic way
I live quite far away from art galleries
being an artist who works with cloth is solitary
But that is who I am.
Saturday, April 11, 2015
Thursday, April 9, 2015
desperately standing still
I'm comforted by the reminder that for centuries,
creative work has come from the most ordinary things.
Children, pets, fruit trees, seasons and the passage of time.
byron wolfe - everyday: a year long photo diary
creative work has come from the most ordinary things.
Children, pets, fruit trees, seasons and the passage of time.
byron wolfe - everyday: a year long photo diary
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