It’s 1 am.
I just sit here.
I finished stitching one bundle. I want to go to bed, but I sit.
And stare and don't think.
This feeling had a quality of GLORY.
Clarice Lispector
Town STUDIO
I picked things up from the floor and put them in the wall. Then I wrapped each one with more stuff from the floor.
I’m working towards a deadline and it’s hard to stay focused. The kids gave me that Ghana basket. More later.
Making is intuitive, exploratory, and without catering to market pressure.
Her innovative manipulation, trial and error process, poetic perception of the matter....the materiality of her projects.
Diane Charbonneau's beautiful writing about glass artist Susan Edgerley in Studio 2019 spring summer magazine