Intimacy and Transience

I want to see a spirituality behind a piece of my work.  

I am concerned with the intimacy of two apparently contradictory elements: infinity and transience.  

Chiyoko Tanaka

Time and space.  

spiritual power

 I love this idea:

That we who make art from cloth are making prayers.

That the objects we make give comfort and strength.

That our objects are imbued with ancient spiritual power. 

That we want to give people a sense of hope.  

Lottie Johnson and Amanda Pinath, curators of Unravel: the power and politics of textile art

The Cancer Woman

The other central conflict for a Cancer woman is between comfort and risk.  You need to stop seeking continual affirmation and nurturance from others and learn to give that to yourself.     from July 1992 journal

big girl quilts

I did more sewing on the deck until 6 pm and then did my walk through and cut the long grass that edged each garden, bending over and not falling, and then we had soup and I lay down again.  Now I’m back in my studio, un-sewing one of the quilts that had gone wonky.  She texted.  She thinks I’m tired and I am.  

Dialogue with the invisible

She knits.

She will finish this work and make others, devoting herself to this occupation of the hands of women for thousands of years, to this creative, calming activity, which legitimizes idleness of the mind and gives the possibility of a secret dialogue, deaf and mute, with the invisible, always present.  

about Russian poet Maria Tsvetena by her daughter Arianna Efron

I do not know and should not be expected to know

I make very simple, large constructed textiles.  All my work is hand stitched, a slow method that gives me solace as well as a place where I can gain perspective in these worrisome times.  

I will make an installation that pays homage to the beauty of damask.  I will highlight the special quality of this type of heirloom linen fabric that becomes more beautiful as it ages.  

Re-reading this proposal is making me have second thoughts about covering the old fabric.  I read Celia Pym’s book on mending yesterday and she said that she wants to show the story of the textile when she mends it and doesn’t cover everything old with new.  

I don’t know and I should not be expected to know at this early stage.  

Conversation with my daughter

You can only talk about your own experience and your own family heritage.  

Mending this bed quilt is more than re-claiming the linen damask backing cloth and more than extending its life.  Mending it in a beautiful, artful manner will honour the life-cycle of the flax and the labour that went into processing the fibres and the weaving of them.  

You are moving this linen from domestic work and allowing it to rest.